Coin Chaos



Number of words – 467

With a good deal of fanfare, the French government released the new 10-franc coin (worth a little more than $1.50) on Oct. 22, 1986. The public looked at it, weighed it, and began confusing it so quickly with the half-franc coin (worth only 8 cents) that a crescendo of fury and ridicule fell on both the government and the coin. Five weeks later, Minister of Finance Edouard Balladur suspended circulation of the coin. Within another four weeks, he canceled it altogether.

In retrospect, the French decision seems so foolish that it is hard to fathom how it could have been made. After much study, designers came up with a silver-colored coin made of nickel and featuring a modernistic drawing by artist Joaquim Jimenez of a Gallic rooster on one side and of Marianne, the female symbol of the French republic, on the other. The coin was light, sported special ridges on its rim for easy reading by electronic vending machines and seemed tough to counterfeit. But the designers and bureaucrats were obviously so excited by their creation that they ignored or refused to accept the new coin’s similarity to the hundreds of millions of silver-colored, nickel-based half-franc coins in circulation [whose] size and weight were perilously similar.

If the American public was constantly confusing the Susan B. Anthony dollar with the roughly similar-sized quarter, how come they weren’t also constantly confusing the $20 bill with the identical-sized $1 bill?

Here is the answer. Why not any confusion? We learn to discriminate among things by looking for distinguishing features. In the United States, size is one major way of distinguishing among coins, but not among paper money. With paper money, all the bills are the same size, so Americans ignore size and look at the printed numbers and images. Hence, we often confuse similar-size American coins but only seldom confuse similar-size American bills. But people who come from a country that uses size and color of their paper money to distinguish among the amounts (for example, Great Britain or any country that uses the euro) have learned to use size and color to distinguish among paper money and therefore are invariably confused when dealing with bills from the United States.

More confirmatory evidence comes from the fact that although long-term residents of Britain complained that they confused the one-pound coin with the five-pence coin, newcomers (and children) did not have the same confusion. This is because the longterm residents were working with their original set of descriptions, which did not easily accommodate the distinctions between these two coins. Newcomers, however, started off with no preconceptions and therefore formed a set of descriptions to distinguish among all the coins; in this situation, the one-pound coin offered no particular problem.

Excerpted from ‘The Design of Everyday Things’ by Don Norman

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